Dr. Pamela Udoka, a pioneering figure in children’s theatre, has concluded her tenure as Vice President of the International Association of Theatres for Children and Young Audiences (ASSITEJ), leaving behind a legacy of innovation and advocacy.
As the first Nigerian to serve on ASSITEJ’s International Executive Committee (EC), her influence has been pivotal in expanding the presence and recognition of African theatre on a global stage.
ASSITEJ, dedicated to the artistic and educational rights of children, brings together theatres, organizations, and individuals from around the world who are passionate about creating theatre for young audiences.
Since its inception in 1965, the association has advocated for the inclusion and appreciation of diverse cultural narratives in children’s theatre, making Dr. Udoka’s contributions particularly significant.
Dr. Udoka was first elected as Vice President of ASSITEJ in 2017, a historic achievement as the first Nigerian in this role. Her election was a milestone not only for Nigeria but for Africa as a whole, symbolizing the growing recognition of the continent’s rich cultural heritage in the international theatre community.
In 2021, she was re-elected for a second term, an affirmation of her impactful leadership and the trust placed in her by her colleagues worldwide.
During her tenure, Dr. Udoka was instrumental in activating and nurturing ASSITEJ’s Nigerian chapter, alongside fostering the growth of other African branches.
Under her guidance, countries like Ghana, South Africa, and Zimbabwe saw increased participation in global theatre festivals and initiatives, bringing African stories to young audiences around the world. Her efforts ensured that African children’s theatre was not only represented but celebrated on the global stage.
Her departure was marked by a virtual send-off attended by members of ASSITEJ International, African branches, and theatre professionals from various corners of the globe. The event was a celebration of her dedication and the lasting impact she has made.
ASSITEJ International President, Sue Giles, reflected on Dr. Udoka’s contributions, saying, “Pamela has been a tireless worker, bringing her energy, innovation, and unique perspective to ASSITEJ. Her work has left an indelible mark, and she will be dearly missed.” Giles praised Dr. Udoka for her ability to inspire those around her, describing her as a leader whose passion for children’s theatre was evident in every initiative she undertook.
Colleagues from across the world echoed these sentiments, paying tribute to Dr. Udoka’s resilience and creativity.
Former EC member Tatiana Bobrova from ASSITEJ Russia expressed her admiration, stating, “Pamela’s commitment to children’s theatre is unparalleled. Her leadership has been a beacon of hope and creativity in our community.” Another member, Bebe de Soares, highlighted her remarkable ability to navigate challenges, adding, “Pamela brought a sense of style and determination to every project. Her contributions will continue to inspire us long after her tenure.”
Dr. Patrick Jude Oteh, founder and artistic director of Jos Repertory Theatre, also shared his experiences, saying, “I’ve known Pamela since our university days, and her dedication to theatre has only grown stronger. She has been a valuable resource for both ASSITEJ International and ASSITEJ Nigeria. Her legacy is one of perseverance and innovation.”
In her farewell address, Dr. Udoka expressed her gratitude to the ASSITEJ EC members, her family, and all those who supported her during her tenure. “I am proud of what we have achieved together,” she said. “The progress we have made in advocating for children’s theatre is something I will always cherish. I am confident that the next generation of leaders will continue to build on this foundation.”
Dr. Pamela Udoka’s tenure as Vice President of ASSITEJ may have come to an end, but her contributions to the world of children’s theatre will resonate for years to come. Her leadership, vision, and commitment have left an enduring legacy that will inspire future generations of theatre practitioners​.
